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Refik Anadol

Refik Anadol

Refik Anadol (b. 1985, Istanbul, Turkey) is a media artist and pioneer in the aesthetics of machine intelligence, and the director of Refik Anadol Studio in Los Angeles. Since 2008, his works have explored the space among digital and physical entities by creating a symbiotic relationship between architecture, science, technology, and media arts. As an artist and a spatial thinker, he addresses the challenges, and the possibilities, that ubiquitous computing has imposed on humanity, and what it means to be a human in the age of AI. Anadol’s site-specific audio/visual performances have been featured at other iconic landmarks, museums, and festivals worldwide, such as Venice Architecture Biennale, Walt Disney Concert Hall, The Centre Pompidou, Florence Biennale, Hammer Museum, Art Basel, Dongdaemun Design Plaza, The Portland Building, Daejeon Museum of Art, Artechouse, International Digital Arts Biennial Montreal, Ars Electronica Festival, Arc De Triomf, Zollverein | SANAA’s School of Design Building, santralistanbul Contemporary Art Center, Istanbul Design Biennial, and Sydney City Biennale among many others. Anadol has partnered, and continues to work with, teams at Google, Nvidia, Microsoft, NASA JPL, Intel, IBM, Siemens, Epson, MIT, UCLA, Caltech, Harvard, Stanford University, and UCSF to apply the latest cutting-edge science, research, and technologies to his work.

refikanadol.com

Published artwork (18)
DATALAND: Rainforest – WEF 2024 Memento
DATALAND: Rainforest – WEF 2024 Memento
By Refik Anadol
Unsupervised — Burned — Data Universe — MoMA — 3D
Unsupervised — Burned — Data Universe — MoMA — 3D
By Refik Anadol
Unsupervised — Burned — Data Universe — MoMA — 2D
Unsupervised — Burned — Data Universe — MoMA — 2D
By Refik Anadol
Unsupervised — Burned — Machine Hallucinations — MoMA Dreams
By Refik Anadol
Study for Unsupervised
Study for Unsupervised
By Refik Anadol
Unsupervised — Data Universe — MoMA
Unsupervised — Data Universe — MoMA
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — I
Unsupervised — Machine Hallucinations — MoMA Dreams — I
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — H
Unsupervised — Machine Hallucinations — MoMA Dreams — H
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — G
Unsupervised — Machine Hallucinations — MoMA Dreams — G
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — F
Unsupervised — Machine Hallucinations — MoMA Dreams — F
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — E
Unsupervised — Machine Hallucinations — MoMA Dreams — E
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — D
Unsupervised — Machine Hallucinations — MoMA Dreams — D
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — C
Unsupervised — Machine Hallucinations — MoMA Dreams — C
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — B
Unsupervised — Machine Hallucinations — MoMA Dreams — B
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Dreams — A
Unsupervised — Machine Hallucinations — MoMA Dreams — A
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Fluid Dreams
Unsupervised — Machine Hallucinations — MoMA Fluid Dreams
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA Generative Study 1
Unsupervised — Machine Hallucinations — MoMA Generative Study 1
By Refik Anadol
Unsupervised — Machine Hallucinations — MoMA
Unsupervised — Machine Hallucinations — MoMA
By Refik Anadol
Looking back to move forward.
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<System Pinned Message> : How has web3 changed art over the past few years? Has it been a net positive or negative change?
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